68 pages • 2 hours read
Doris LessingA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
Chapter Summaries & Analyses
Anna records more meetings with more film producers who want to adapt her book, Frontiers of War. The conversations remain the same: Anna insists that the novel is about racial discrimination—the illegal love between a white man and a Black woman—while the producers endeavor to turn the novel into a love story between two white people of different classes. It would be shot in England, not Africa. Anna receives an invitation to adapt the book for an American company called Blue Bird, which “will not consider screenplays dealing with religion, race, politics, or extra-marital sex” (289). Regardless of the fact that Anna’s book deals with at least three of these forbidden topics, the American producer wants to meet with her.
Again, Anna is pressured to extract the controversial elements of her novel in favor of making it a simple love story. When the American producer invites Anna to visit her country, Anna, exasperated by the woman’s misreading of her novel, tells her that she would not be allowed into the US: Anna is a communist. The producer is flustered and appalled. Anna leaves after the producer recognizes a fellow American abroad; she is as eager to be rid of Anna as Anna is to get away.
By Doris Lessing
A Woman on a Roof
A Woman on a Roof
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Briefing for a Descent Into Hell
Briefing for a Descent Into Hell
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Martha Quest
Martha Quest
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No Witchcraft for Sale
No Witchcraft for Sale
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Prisons We Choose to Live Inside
Prisons We Choose to Live Inside
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The Fifth Child
The Fifth Child
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The Grass is Singing
The Grass is Singing
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Through the Tunnel
Through the Tunnel
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To Room Nineteen
To Room Nineteen
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