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T. S. Eliot employs a long poetic line and also regularly uses half-lines. The long lines consist of pentameters (five poetic feet), alexandrines (six poetic feet) and heptameters (seven feet). The meter is predominantly iambic. An iambic foot consists of an unstressed syllable followed by a stressed syllable. It is the most common meter in English poetry and is exactly suited to the conversational style of the poem, since speech in English tends to take on an iambic rhythm.
Thus, the first two lines are iambic heptameters: “Among the smoke and fog of a December afternoon / You have the scene arrange itself—as it will seem to do—” (Lines 1-2). These lines are followed by two iambic pentameters. “With ‘I have saved this afternoon for you’; / And four wax candles in the darkened room” (Lines 3-4). The first alexandrine follows in the next line: “Four rings of light upon the ceiling overhead” (Line 5). In that line, Eliot has made a substitution in the first foot. Instead of an iamb, he has used a spondee (“Four rings”), which is a foot in which both syllables are stressed.
By T. S. Eliot
Ash Wednesday
Ash Wednesday
T. S. Eliot
East Coker
East Coker
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Four Quartets
Four Quartets
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Journey of the Magi
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Little Gidding
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Mr. Mistoffelees
Mr. Mistoffelees
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Murder in the Cathedral
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Preludes
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Rhapsody On A Windy Night
Rhapsody On A Windy Night
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The Cocktail Party
The Cocktail Party
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The Hollow Men
The Hollow Men
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The Love Song of J. Alfred Prufrock
The Love Song of J. Alfred Prufrock
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The Song of the Jellicles
The Song of the Jellicles
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The Waste Land
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Tradition and the Individual Talent
Tradition and the Individual Talent
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