Content Warning: This section of the guide includes discussion of the source text’s depiction of antisemitism.

“But seeing this picture was like opening a window on a dark place deep inside. It confirmed his suspicion that there was more to life than living and dying in the Glipwood Township.”

As Janner embarks on The Process of Self-Discovery and Coming of Age, he often feels that his world in Glipwood is too small. His yearning for adventure beyond this town establishes his characterization and suggests that he will soon be swept up in an adventure that could carry him far away.

“I don’t want to spend my life fretting over Tink and Leeli, following two little kids around, fussing over them like an old woman and wasting my life!”

Janner struggles with the responsibility of being the eldest sibling. His desire for more in his life makes him a quintessential children’s fantasy protagonist—one who will soon find his world turned upside down and responsibility forced upon him. His family’s prioritization of this responsibility for Janner ties into the family secret of their lineage.

“Blood was shed that you three might breathe the good air of life, and if that means you have to miss out on a Zibzy game, then so be it. Part of being a man is putting others’ needs before your own.”

Podo’s definition of what a man is aligns with Christian values and gender roles, where men are the providers and protectors of their families. The role of a man as a servant to others is echoed later when Janner learns about his legacy.