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The final section opens with another choral ode (1391-1459), though this one is rather more confusing than the previous ode, largely unhinged from the content of the play and focusing instead on the Demeter/Persephone myths. After the ode, the play’s narrative resumes with a short monologue from Helen, assuring the audience that the preparations for her plan have gone well. After Menelaos and Theoklymenos enter the scene, Helen not only manages to secure the promise of a ship for the funeral rite, but also gets Theoklymenos to instruct his men to obey Menelaos (here posing as merely a castaway Greek sailor). Once the king has left the stage, Helen and Menelaos put out to sea in their ship, and this is the last the audience sees of them. Their exit is accompanied by a final choral ode, in which the Chorus wishes them a good journey and future blessings back in Greece.
Theoklymenos comes back on stage, there to be met by a messenger, one of the sailors he had sent off in Helen’s ship for the funeral rite.
By Euripides
Alcestis
Alcestis
Euripides
Cyclops
Cyclops
Euripides
Electra
Electra
Euripides
Hecuba
Hecuba
Euripides
Heracles
Heracles
Euripides
Hippolytus
Hippolytus
Euripides
Ion
Ion
Ed. John C. Gilbert, Euripides
Iphigenia in Aulis
Iphigenia in Aulis
Euripides
Medea
Medea
Euripides
Orestes
Orestes
Euripides
The Bacchae
The Bacchae
Euripides
Trojan Women
Trojan Women
Euripides