Few contemporary American poets have been as open about their influences, or as grateful. Hoagland often charted his own literary context. He acknowledges that in college and the graduate school in the late 1970s, he (as all fledgling poets of his generation) came under the immense influence of the Confessional poets, among them his creative poetry professor at Iowa Louise Glück. These Confessional poets, who had emerged after World War Two, had created a genre of poems driven by elaborate honesty and sincerity that positioned the agonies and ironies of the poet at the center of a poem. For Hoagland, however, after nearly 50 years of such poems, such self-indulgent poetry had significantly narrowed any audience for poetry. Sincerity itself did not seem to justify so much harrowing “claustrophobic” poetry. After a half century, Confessional poetry itself seemed to be on autopilot. Such poems could come off as contrived, honest for the sake of honesty, mistaking irony for insight. When Hoagland himself began drafting his earliest poems, for him, such poems could be too easily parodied and, in turn, alienate any wide audience for poetry.