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Scholars have suggested that Cleopatra is one of William Shakespeare’s most complex and powerful female characters, while others see her as a sexualized object. Analyze Cleopatra’s role in the narrative. Is she depicted as a powerful leader, a manipulative seductress, or a mixture of both? Use evidence from the text to explain your argument.
Egypt and Rome are set up as opposite societies in the play. How is each one depicted, and what is the significance of each? Does Shakespeare seem to portray one society as better or worthier of victory, or is there ambiguity in the portrayal of both?
When Antony and Cleopatra was originally performed, all roles would have been played by male actors, with the character of Cleopatra being portrayed by a younger boy. How might that context change your view of the treatment of gender transgression throughout the play? How does the play explore notions of masculinity and femininity more generally?
By William Shakespeare
All's Well That Ends Well
All's Well That Ends Well
William Shakespeare
A Midsummer Night's Dream
A Midsummer Night's Dream
William Shakespeare
As You Like It
As You Like It
William Shakespeare
Coriolanus
Coriolanus
William Shakespeare
Cymbeline
Cymbeline
William Shakespeare
Hamlet
Hamlet
William Shakespeare
Henry IV, Part 1
Henry IV, Part 1
William Shakespeare
Henry IV, Part 2
Henry IV, Part 2
William Shakespeare
Henry V
Henry V
William Shakespeare
Henry VIII
Henry VIII
William Shakespeare
Henry VI, Part 1
Henry VI, Part 1
William Shakespeare
Henry VI, Part 3
Henry VI, Part 3
William Shakespeare
Julius Caesar
Julius Caesar
William Shakespeare
King John
King John
William Shakespeare
King Lear
King Lear
William Shakespeare
Love's Labour's Lost
Love's Labour's Lost
William Shakespeare
Macbeth
Macbeth
William Shakespeare
Measure For Measure
Measure For Measure
William Shakespeare
Much Ado About Nothing
Much Ado About Nothing
William Shakespeare
Othello
Othello
William Shakespeare